Karl Lagerfeld may be on the outs …

March 15, 2010

Tommy Ton’s recent mysterious tweet about news that will “SHAKE the fashion world” might be a direct follow up at what Diane Pernet said in June 2009. As of today Diane Pernet described the news as a bomb. Grazia thinks that Tommy Ton’s big secret is about Karl Lagerfeld being replaced by Albert Elbaz at Chanel. “The official announcement should be made in the next few days, so stay tuned for confirmation!” (Grazia).

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Valentino Fall Winter 2010 Collection

March 15, 2010

Tuesday March 9th, 2010- Halle Freyssinet

Digital romanticism. Noir innocence. A refined women, who is also unpredictable, elusive, evasive, overflowing with mystery. Candid and dark. Providing inspiration for Maria Grazia Chiuri and Pier Paolo Piccioli’s creative works for Valentino. A natural instinct of creatingm selecting, mixing and layering all different elements is emphasized and highlighted throughout the pret-a-porter Autumn Winter 2010 – 2011 collection.

Reconsideration and reinvention of elegance, altered into a contemporary mode. This newfound quality is now regained and reconquered to exist in the Valentino woman’s wardrobe.

Fovoring unexpected liaisons between natural and technological weaving, ultra light and structured material, padded, doubled and treated fabric. Ensemble of researched pieces including shirts, knits, over the knee skirts and pants are never deprived of desinged lengths, constructions and proportions that harmoniously coexist. Coats, overcoats and jackets are made with straight or slightly flared cuts. Combinations of fluid and supported structures are plastic and freestanding, made of silk crepe, goretex, organza or chiffon.

Ballerinas and stilletos are embellished and made aggressive by exasperated tips and unusual stud applications borrowed from luggage details. Structured and rigid bags persistently echo exclusive designs and finishing.

Everything perfectly joining together with imaginary scenes and the rhythmic direction of American film director Kenneth Anger, who was involved with Chiuri and Piccioli in the conception of the Fall Winter 2010 Valentino show atmosphere.

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Valentino Fall Winter 2010 Final Fashion Show Video

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Cerruti Fall Winter 2010 Collection

March 14, 2010

Wednesday March 10, 2010 – Halle Freyssinet

Cerruti new artistic director Richard Nicoll, presented his vision of the new Cerruti woman. The lines are simple, almost androgyne. Colorwise we see cranberry shades, petrol, an orange and blue print, a pink powder latex dress toward the end and even mohair. The PDG of the brand Florent Perrichon, seems to be confident on where the brand is going, describing Richard Nicoll of being the men of the situation.

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Cerruti Fall Winter 2010 Final Fashion Show Video

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Junko Shimada Fall Winter 2010 Collection

March 14, 2010

Tuesday March 9th, 2010 – Hotel Westin – Salon Imperial

Junko Shimada with “Une belle Fille” tells us another story, inpired by actress Virna Lisi. We’re at the Hotel Westin in the Salon Imperial, lights are on the floor, music that sounds like a 70’s french movie in the background. Lambskin Leather turban, Fuschia, indian pink and vermillon rouge give the tone with optical illusion motifs taking inspiration from 1971. Supple materials, mohair, shearling. silk crepe, chiffon and organza with plunged lambskin sharpens the silhouette. This “Belle fille” wears bat-wing sweater dresses, frilled ample blouses with a sassy allure accentueated by afro-beatnik necklaces and belts in cords and plastic. Every look featured excessive diagonally striped platforms.

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Junko Shimada Fall Winter 2010 Fashion Show Video

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Hermes Fall Winter 2010 Collection

March 11, 2010

Wednesday March 10th, 2010 – Halle Freyssinet

There’s never been a shortage of bags and backdrop at an Hermès show, but this year JPG added a dramatic twist with looks inspired by the 60’s sultry spy, Emma Peel. It was a high octane spectacle, highlighting JPG’s penchant for leather and sharp tailoring, and not simply serving as a showcase for the house’s latest accessories.

Right from the first look, the nouvelle Jane Bond looked boyishly debonair in an all black-leather pant-jacket ensemble, topped off with a rounded fedora. And Jean Paul Gaultier did not spare the leather as he used it on sleeveless gowns, draped at the hips, turtlenecks & 3-piece mens suits. To complete the Avengers throwback, models were accessorized with Englishmen tophats, canes, Birkins, monocles, ties and umbrellas. Strategically placed dark crocodile jeans, mini skirts and vests offered welcome respites from throngs of leather-clad looks. While the show felt a bit cheeky at times, JPG’s energy, vision, and expertise in the art of le bon tailleur, framed in Hermès rich history of fine craftsmanship, make this collection desirable to say the least.

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Hermes Fall Winter 2010 Fashion Show Final Video

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Louis Vuitton Fall Winter 2010 Collection

March 10, 2010

Wednesday March 10th, 2010 – Cour Carree du Louvre

You would close your eyes, listen to the delicate fountain’s clapotie and then open your eyes to get hit by beauty and feminity. The place, the Cour Caree du Louvre is now the ultimate place where marc Jacobs likes to show his Louis Vuitton collections. This time he decided to have the models walk around the louvre fountain, counter clockwise, to go back in time to the 60’s of “God created a Woman”. “Brigitte Bardot symbolizes the feminity, the sensuality, I just wanted to show beautiful women of all ages” said Jacobs. Laetitia Casta, the closest 2010 Brigitte Bardot version you could ever get opened the show, followed by Coco Rocha, Karolins Kurkova, Catherine Mcneil, Bar Rafaeli, Adriana Lima and the most unexpected Elle Mcpherson, also known as “The Body”. Almost all looks featured a corset either in wool, leather, shetland or pinstripe to accent the curves, without any accessories beside some gloves leaving the feminity play the part. We saw a tweed jacket, sequined cable-knit sweater, a boiled wool pea jacket but the real star of the show was the iconic Louis Vuitton bag: the Speedy bag.

The Speedy has been reinterpreted for the Autumn-Winter 2010-2011. A new flap has been added and top handle. Reincarnated as a doctor’s bag, the monogram has been flocked and sequined, woven in metallic thread, remade in cloque, and in guipure lace over Duchess satin. The Damier patern has been recreated in fox, shaved goat and handpainted crocodile. And in its simplest form, the Speedy has been rendered in waxed calf and reconfigured as a doctor’s bag in grainy, supple calfskin.

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Louis Vuitton Fall Winter 2010 Fashion Show Final Video

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Chloe Fall Winter 2010 Collection

March 9, 2010

Tuesday March 9th, 2010 – Espace Ephemere – Jardins des Tuileries

Minimalism seems to be the plat du jour this Paris fashion season; so much so in fact that certain collections looked almost too restrained and conservative. Meanwhile, other shows took a safer route, opting for more commercial looks at the expense of creative expression, thus adding little to the conversation. But when that minimalism is translated into smart, complete outfits, the end result is a pragmatic collection that we can actually see ourselves wearing. Hannah MacGibbon achieved just that, producing a luxuriously comfortable Chloé fall 2010 collection that never strayed too far from the house’s youthful, carefree roots.

References to the 70‘s with cross masculine-feminine silhouettes aided that process, as Hannah demonstrated with a mens topcoat and suit, framed it over a loose, denim button-down shirt, and paired with camel colored high-waisted pants fastened by a hue-matching leather belt. The long and fluid jersey dress provided an unexpected allure, the embroideries over velvets reveal a subtle couture spirit.

The use of leathers to produce high wasted pants, a chocolate quilted camel bomber, a trim on chambray dresses and a flanked, fringe-corseted pair of trousers made these looks lust-worthy. Even the boots, loafers and wedges were cut in natural leather to match the new Chloe bag, Aurore.

One look at these model’s gait and you knew that this collection was meant to please the body and the eye. But MacGibbon one-upped it with a sumptuous lambskin sweatsuit, cashmere sweatpants, a fur coat and a pair of after ski boots. And while some decried that the collection looked monochromatically brown, the use of cafe to fauve hues made it easier to visualize these vestments complimenting our fall wardrobe.

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John Galliano Fall Winter 2010 Collection

March 9, 2010

Sunday March 7th, 2010 – Halle Freyssinet

A tribe of adventuring Galliano nomads trek through a mountainous terrain, crossing imaginary borders in search of a new land. In control of their destiny, subjected to the elements they are wrapped in brocades and worsted stripe blousonswith chunky knit rib tubes fitted tight on the hips. Trousers are inserted with knit panels for utility to an ever migrating tribes woman.

Her outfit tells her story, she accumulates as she migrates: brocade and astrakhan mix of mountain coats, panier skirted cabans thrust foward from the upper tight as do mini skirts layered over sarouel trousers. Her steps are sure laced into spike heel trekking boots.

Layering as she goes to protect herself from the harsh elements of the ever changing climate, she sheds and adds to adapt to her surrounds.
The tribal princesses are drapped in bias cuts spliced with yak fur mixing sauvage with refiined craftmanship. Delicate tulle is encrusted with mongolie fur and worn with barbaric fur and metal jewelery.

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Rue du Mail Fall Winter 2010 Collection

March 8, 2010

Wednesday March 3, 2010 – 5 rue du Mail

For her latest showing, Martine Sitbon decided to infuse a bit of structure into the Rue du Mail DNA, marrying beautifully proportioned silhouettes to an otherwise effortlessly soft construction. Known for her dresses that always seem to be on beat with the current fashion pulse, the designer added some interesting suits, that delved into some complex tailoring. We see this with a trench coat reinterpreted as a redingote; short in the front & paired with a series of mini-capes, folded & draped over the shoulders. A tight leather camel-colored jacket also carried this same motif, but portended a youthful twist that’s sure to please consumers.

Editors find great joy in discovering the details in a collection that might be difficult to perceive on first glance. So you could only imagine the grins and smiles painted across journalists as certain key pieces strolled the catwalk, bending our minds to try to discover their intricacies. Separates were actually one-pieces while voluminous looks were given sculptural shapes. What we thought we was a simple combination of a jacket with a ruffled add-on collar on model Heidi Mount turned out to be one well-constructed piece. A puffy grey suit was cinched at the waist and paired with a draped skirt, while dresses got ruffles on the collar or around the waist. The smoking jacket was tied up with a leather belt to give it a sensual, relaxed feeling.

But where Sitbon’s handiwork truly shined was in the crafting of truly desirable frocks, like the one spotted on Karmen Pedaru. The body-conscious two-tonal grey-black dress looked like it was the basis upon which the whole collection was created. With its black-strand shoulder jacket-esque top, slit just enough to reveal top-chest cleavage, and held over a ruched grey-pencil dress, it could easily have editors defining the collection in endearing superlatives.

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Sonia Rykiel Fall Winter 2010 Collection

March 8, 2010

Sunday March 7th, 2010 – Halle Freyssinet – Paris

Everyone always wonders what Sonia Rykiel gives to her models backstage to get them all hyped up before a runway show. After almost 3 weeks of non-stop running around from show-to-show, it’s a welcome change of pace to go see a collection, knowing full well that you’ll be smiling the whole time the models strut the catwalk. And because Sonia Rykiel has yet to ever disappoint, we were all the more enamored by her latest fall 2010 collection.

In Sonia’s mind, she imagines her jubilant girls sporting a fancifully oversized pompom hat with matching pearl-studded high platform sandals. Crowd pleasers included a mohair rainbow-striped “Pull Rykiel” sweater lined with Swarovski rhinestones as well as a blue-black striped version that was knotted into a youthful knit-bustier dress. Basics were used intricately, as was seen with the wool cardigan that served as a dress, tied at the waist with a multi-strap leather belt. A delightful 40’s inspired lambskin sac fermoir looks to be a palpable accessory come this winter.

It was when we saw the asymmetric coats and bags held fastened by oversized, ‘pearled’ safety pins that we understood Sonia was letting us relive our early childhood through her pieces. You got the sense that Sonia was taking us back to a time when she would play with everything in her mother’s boudoir – from the jewelry to the sewing kit. And upon spotting a pair of military, multipocket trousers in a khaki green hue, we quickly realized that Sonia probably played in her father’s closet too.

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