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Louis Vuitton Fall Winter 2010 Collection

March 10, 2010

Wednesday March 10th, 2010 – Cour Carree du Louvre

You would close your eyes, listen to the delicate fountain’s clapotie and then open your eyes to get hit by beauty and feminity. The place, the Cour Caree du Louvre is now the ultimate place where marc Jacobs likes to show his Louis Vuitton collections. This time he decided to have the models walk around the louvre fountain, counter clockwise, to go back in time to the 60’s of “God created a Woman”. “Brigitte Bardot symbolizes the feminity, the sensuality, I just wanted to show beautiful women of all ages” said Jacobs. Laetitia Casta, the closest 2010 Brigitte Bardot version you could ever get opened the show, followed by Coco Rocha, Karolins Kurkova, Catherine Mcneil, Bar Rafaeli, Adriana Lima and the most unexpected Elle Mcpherson, also known as “The Body”.  Almost all looks featured a corset either in wool, leather, shetland or pinstripe to accent the curves, without any accessories beside some gloves leaving the feminity play the part. We saw a tweed jacket, sequined cable-knit sweater, a boiled wool pea jacket but the real star of the show was the iconic Louis Vuitton bag: the Speedy bag.

The Speedy has been reinterpreted for the Autumn-Winter 2010-2011. A new flap has been added and top handle. Reincarnated as a doctor’s bag, the monogram has been flocked and sequined, woven in metallic thread, remade in cloque, and in guipure lace over Duchess satin. The Damier patern has been recreated in fox, shaved goat and handpainted crocodile. And in its simplest form, the Speedy has been rendered in waxed calf and reconfigured as a doctor’s bag in grainy, supple calfskin.

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Louis Vuitton Fall Winter 2010 Fashion Show Final Video


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Chloe Fall Winter 2010 Collection

March 9, 2010

Tuesday March 9th, 2010 – Espace Ephemere – Jardins des Tuileries

Minimalism seems to be the plat du jour this Paris fashion season; so much so in fact that certain collections looked almost too restrained and conservative. Meanwhile, other shows took a safer route, opting for more commercial looks at the expense of creative expression, thus adding little to the conversation. But when that minimalism is translated into smart, complete outfits, the end result is a pragmatic collection that we can actually see ourselves wearing. Hannah MacGibbon achieved just that, producing a luxuriously comfortable Chloé fall 2010 collection that never strayed too far from the house’s youthful, carefree roots.

References to the 70‘s with cross masculine-feminine silhouettes aided that process, as Hannah demonstrated with a mens topcoat and suit, framed it over a loose, denim button-down shirt, and paired with camel colored high-waisted pants fastened by a hue-matching leather belt. The long and fluid jersey dress provided an unexpected allure, the embroideries over velvets reveal a subtle couture spirit.

The use of leathers to produce high wasted pants, a chocolate quilted camel bomber, a trim on chambray dresses and a flanked, fringe-corseted pair of trousers made these looks lust-worthy. Even the boots, loafers and wedges were cut in natural leather to match the new Chloe bag, Aurore.

One look at these model’s gait and you knew that this collection was meant to please the body and the eye. But MacGibbon one-upped it with a sumptuous lambskin sweatsuit, cashmere sweatpants, a fur coat and a pair of after ski boots. And while some decried that the collection looked monochromatically brown, the use of cafe to fauve hues made it easier to visualize these vestments complimenting our fall wardrobe.

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Yohji Yamamoto Fall Winter 2010 Collection

March 6, 2010

Friday March 5th, 2010 – Lycee Carnot – Paris 17e

The saying ‘sometimes you need to take a step back to take two forward’ seems like sound advice, but for Yohji, he decided that one needs to go as far back as elementary school to be fashion forward. Even the backdrops for the show signaled that ‘Principal Yamamoto’ was about to give a powerful lesson in demure construction – invitations printed on school paper & a schoolyard would serve as a catwalk. Solemn school girls opened the show in a declination of navy school uniforms, coats and suits with knife-pleated skirts. As the show progressed, so too did the looks, maturing one look to the next, almost as if the school girls were graduating from their simple beginnings into adulthood.

Solemnity evolved into femininity, and the graduated school girl began wearing bustier dresses made of coarse, coat materials. Then came a mens shirt, worn as a peacoat dress followed by a navy blue knitwear jumpsuit worn with removable gloves.  Nearly every look was paired with flat black cavalier boots and some looks even sported sunglasses;  a teaser of new Yohji accessories to come. One black coat near the end had an interesting cookie-cutter-like crease sewn from the upper  shoulder down to the waistline that revealed itself to be a woman’s profile.

By the end, Yohji’s schoolgirl was no more, stepping into the next chapter of life as a bride. The stitched profile was incorporated into the bride’s black dress coat; her hair covered by a thin red filet veil topped by a miniature regal crown. At first, we were left wondering who would marry this dark princess, but a small smile at the end let us know that her groom could only be Mr. Optimism.

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Tommy Hilfiger Fall Winter 2010 Collection

February 20, 2010

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Thursday February 18th, 2010 – Bryant Park – The Tent

The Tommy Hilfiger Fall Winter 2010 Fashion Show was the last collection shown at the Tents, graciously closing the Bryant Park legacy once and for all. The look for Hilfiger’s latest collection was “Preppy with a Pop”. While each piece is intrinsic to Hilfiger’s brand, they all seemed to have been altered just enough to excite us with something fresh and chic. It was as if the Tommy Boy/Girl left their Ivy League dorms and moved into a Prince Street loft. Tommy’s collection flirts between American glamour and sportswear luxe while redefining classic textures and silhouettes. The Tommy girl of tomorrow wears a modern sleeveless trenchcoat with removable double collar, an oversized wool collar sweater and a romantic puffed tulle skirt.

For its menswear, Hilfiger’s preppy boy look was given a more modern and up-to-date makeover, as we saw with a green cashmere cardigan, navy cashmere blazer and fitted pants. This collection reminded us all that true American luxury still exists and reaffirmed that only Tommy Hilfiger can do it justice.
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G-Star Raw Fall Winter 2010 Collection

February 18, 2010

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Wednesday February 17th, 2010 – Hammerstein Ballroom

G-Star Raw surprised the audience at their Fall Winter 2010 New York City Fashion Show. Not only G-Star Raw offered a vibrant and colorful collection but put on a real show featuring 30 models, a three way platform Electro-graphic LED screens and a musical mash up.
G-Star’s designer Pierre Morisset showed his reinterpretation of the denim by mixing and adding bright colors, leather straps and even cashmere to it.


The main inspiration for the collection came from the service uniform worn by 19th century coach drivers. We also saw references to the fisherman’ s clothes with the large yellow over-sized hooded raincoat. Each pieces were surprising by either their shapes or their bright colors without loosing this luxury G-Star Raw denim signature.

G-Star introduces for the Fall 2010 new Metallic denims, a copper and midnight blue tone.  Some of the women-swear skirts and menswear pants were featuring an extra large back pocket, the word at the show was that this pocket has been made for the Apple iPad.

The front row included actress Liv Tyler, model for G-Star’s upcoming Spring/Summer 2010 campaign, Adam Lambert, Adrienne Bailon, Agyness Deyn, Estelle, John Legend, Kelly Osbourne, Keri Hilson, Liv Tyler, Mena Suvari, Miss J. Alexander, Natasha Bedingfield, Nate Parker, Peaches Geldof, Poppy Delevigne, Robert Buckley, Sean Garrett, Shanyna Shaik, Shaun Sipos, Steven Jackson, Terrell Owens, Toby Kebbell, Tyson Beckford, VV Brown and others…

Visit G-Star Raw to see the full Fall Winter 2010 Fashion Show

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Duckie Brown Fall Winter 2010 Collection

February 11, 2010

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Thursday February 11, 2010 – Bryant Park – The Salon

For Fall Winter 2010 designers Steven Cox and Daniel Silver have chosen bold colors, plaid and even brought up tweed with a 2010 vibe. The pants are cropped and worn with dress high top shoes. Like last season, the Duckie Brown man intents to stay warm with some oversized alpaca turtleneck and matching alpaca gloves. The key piece of the collection was a red overcoat, neon color-block duffels but also this black japanese felted black bomber. Everyhting to bright up our men next Fall Winter.

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André Drawings at Colette

February 5, 2010

Thursday February 4, 2010 – Colette

On the street André is known by his graffiti-artist alter ego, Mr. A, and for his “Love Graffiti” concept. André moved from the street to galleries with much hesitation. After proactively changing the nightlife of cities such as Paris, New York, and Tokyo, and giving new life to his characters through multiple collaborations, he is now ready to share his quieter moments, which he draws on scraps of paper or in notebooks, constantly filling them, but rarely sharing them with others.

This is a more personal and intimate activity, far from the commercialism of art. This selection were influenced by the psychedelic love imagery of the 60s and 70s, along with his visual memories of the comic books he read as a kid.

In André’s world, drawings have a special currency, like billets-doux for sharing love. For him, the only way to escape the smothering blanket of capitalism, inside or outside of the art world, is in things you can’t buy: love and generosity.

Buy André’s work here: http://www.colette.fr

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Louis Vuitton Fall Winter 2010 Men’s Collection

January 21, 2010

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Thursday January 21, 2010 – 104

Vienna’s Wiener Werkstätte in the early 20th century attracted a community of artists including Franz Kafka and Egon Schiele with their own creative way of mixing business and leisure style. For Louis Vuitton’s Fall-Winter 2010-2011 collection, Men’s Studio Director Paul Helbers, under the Artistic Direction of Marc Jacobs, is inspired by this “Bleisure” lifestyle, a mix of formality and comfort inspired by Vienna’s “artist wardrobe”.

“Kafka and Schiele favored very tailored, waisted clothes with short jackets and long coats,” says Helbers. “This collection is built on layering, but it is a precise interlocking. Each piece belongs to the whole and you can add or subtract to be more casual or representational. Fabrics are bonded to do without linings and coats unzip at the yoke to layer under other pieces. This suits travel and that is always a focus at Louis Vuitton, but also today’s laptop workplace which has blurred the boundaries between tailoring and casual pieces.”

The artistic life and architecture of Vienna inspire a palette of graphite, brown, raven blue, clay, forest, stone, praline, horn and nude accented by neon green.

The waist is underlined in mixed blacks for double-faced wool jackets with waterproof leather insets. The 3/4 coat is revisited in shearling and cashmere knit with silk satin sleeves. Collars contain slip-out hoods that unfold from the middle so that the leather and zip detailing remains a constructivist design element. Leather is waterproofed and constructed with taped seams for the high performance Techno Anorak, or sprayed rather than dyed so that cubist seaming stands out with a contrasting white edge. Waterproof, brushed and twisted tweeds have a snowy or paint-splattered look and give a sense of volume in very light weights. Luxury is inherent in cashmere blended with chinchilla, or mink, for jackets that are soft, and slightly hairy with a padded look. Shirts are tapered, or loose in a play of stripes: mismatched, geometric or in complex engineered prints. As a tribute to the prestigious equestrian Ecole Espagnole de Vienne, soft double-breasted blazer complement straight leg pants accessorized with zipped riding boots.

Vienna artistic life and equestrian tradition also inspire a new Louis Vuitton rich and extra soft premium calfskin. The leather is fully nourished by craftsmen with oils and natural wax to allow the bags to embellish with age. Either constructed entirely of leather or paired with a water-resistant taupe or charcoal canvas, the bags are inspired by military and utilitary vintage styles with a contemporary twist. The tote is the primary source of inspiration this season with leather handles and hardware from the iconic Louis Vuitton Steamer bag. German painter Christian Schoeler has hand painted three bags with landscapes, forests and clouds, an ode to Viennese art students who roam the streets with their customized bags.

Accessories for the “Bleisure” lifestyle combine a certain rusticity with techno details and elegant design. Army boot clogs are strapped, layered and studded while sleek patent laceups feature a new metallic wedge sole. Tangled leaves and painterly brush strokes are a romantic touch on devoré velvet scarves, and ties are structured in mock moiré or striped in bias welt weaves, or wet look metallics. Eyewear combines spectacle styling with state of the art construction with narrow branches to twist around the ear and clear plastic resin over the bridge.

Viennese artist Blinky Palermo whose work in the 60s centered on architectural illusions inspired the multiple wall set. And the soundtrack mixes techno, waltz, and opera from Holger Hiller to Elizabeth Schwarzkopf and Simple Minds with citations from Kafka.

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Balenciaga Pre-Fall 2010 Collection

January 12, 2010

Nicolas Ghesquière is thinking sporty for his Balenciaga for pre-fall 2010. Jackets and coats, some printed with palm tree or geyser motifs, motifs evoking landscapes . The Sweatshirts are made of jersey fused or high-tech foamwhile synthetic cropped mixed with quilted military jackets. the hosiery is colorfull, yellow, red, or green tights spliced vertically with opaque and sheer sections.

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Louis Vuitton Mon Monogram, My Very Own Monogram

June 2, 2009

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Louis Vuitton Mon Monogram Speedy,Keepall & Pegase. Photos/Style: Carlyne Cerf De Dudzeele.

Louis Vuitton has always been an expert when it comes to travelling in luxury. And over the years, LV has extended that craftsmanship to produce a vast array of fine leather goods, adding a touch of chic to every imaginable accessory one would ever need.

Take for example the Louis Vuitton Speedy bag and the Keepall travel bag, these two classic bags have become iconic luxury staples that everyone simply wants and needs. And while these two iconic bags have been around for quite some time, they still tend to attract the most attention, especially since they’re often re-invented by Louis Vuitton Artistic Director Marc Jacobs every season.

Since 2008, the brand has continued to marry tradition & modernity by offering its personalization service called “Mon Monogram”. Always keeping to its roots, Louis Vuitton has continuously offered the possibility to personalize one’s accessory, a tradition that dates back for over century. This personalization happens by way of a painting service that was once only available to Trunks and hard-sided luggage. This made to order technique is now available for the Speedy and the Keepall.

More importantly, the Mon Monogram personalization makes your bag unique. A set of two-tone initials of up to three letters, either vertical or diagonal stripes, or through a combination of both initials and stripes that are chosen from a range of 17 different colors resulting in more than 200 million possible combinations per bag. And given the popularity of the Speedy and Keepall, the Mon Monogram service will certainly make such iconic bags stand out from the rest of the crowd.

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Edita with the Louis Vuitton "Mon Monogram" Speedy bag. Photos/Style: Carlyne Cerf de Dudzeele

The Mon Monogram will also solve those awkward moments at airport carousels where someone else picks up your Keepall thinking it’s their own (unless of course they have your initials and know your favorite colors).  Mon Monogram is available in all Speedy Keepall travel bag sizes.

And starting as of June 1st, 2009, this service will also be extended to the iconic Pégase 55 suitcase in both classic and business versions. The stores that offer “Mon Monogram” (over 100 stores in all) feature a computer so the clients can create the “Mon Monogram” of their dream and visualize exactly how their bag will look.

Photos: Julien Gallico/Milo Keller Style: France de Jerphanion for Air France madame magazine

Once their choice has been made their order is then sent directly to one of the Louis Vuitton workshops where their personalised unique Monogram bag is created and hand assembled.

The fabrication of the Mon Monogram can take from six to eight weeks.

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Pictures Copyright : © Louis Vuitton
Obligatory Caption : © LOUIS VUITTON
Photos & Stylisme: Carlyne Cerf de Dudzeele
Model: Edita Vilkeviciute @ Viva

Prices:
Speedy 25 – $970.00
Speedy 30 – $1,000.00
Speedy 35 – $1,030.00
Speedy 40 – $1,060.00

Keepall 45 – $1,350.00
Keepall 50 – $1,380.00
Keepall 55 – $1,410.00
Keepall 60 – $1,440.00

Keepall 45 with shoulder strap – $1,610.00
Keepall 50 with shoulder strap – $1,640.00
Keepall 55 with shoulder strap – $1,670.00
Keepall 60 with shoulder strap – $1,700.00

Pegase 55 – $3,230.00
Pegase 55 Business – $3,860.00

Store locator at www.louisvuitton.com

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